Most mornings, I begin the day in bed with my notebook, crystals, and cup of Jasmine Green Tea. Usually, I’ll meditate for a while. Mostly, I write, read or sketch. Often, I look out of the window to be with nature and the trees and, always, I notice the ever dancing light.
Even on the gloomiest of days, the light finds its way in, energising me, and it creates moving pictures on the walls, flickering like the first movie-making ventures. Here’s a clip…
The light show reminds me of the zoopraxiscope, created by photographic pioneer Eadweard Muybridge in 1879, or the whirl of strobe lighting. There is something uplifting about this ever shifting light that moves me into a different way of feeling.
My attention is often drawn to the light and shadows in the ever changing landscape of my aqua-turquoise satin duvet cover. It is here where I see pictures and realise potential story threads, and I am always amazed by the figures, landscapes, and shapes that appear.
Like others, I find it easy to see beyond what appears to be there. This is referred to as pareidolia -from Greek for ‘alongside’ or ‘instead'(para) and ‘image’ or ‘form’ (noun eidolon) -, which is considered to be vague and random stimulus being perceived in a different and usually significant way. Examples of pareidolia include being able to see the ‘man in the moon’ or faces, angels or galloping horses in clouds or seeing Elvis in a slice of bread, and is described as a type of apophenia, which involves seeing patterns in random data.
My duvet is the perfect backdrop for the imagination, and especially in the morning, when I’m still fresh from astral and dream-time. Curious figures and landscapes, born out of light and shadow, temporarily appear, and I attempt to capture what I see through quick cross-hatched sketches like these…
Leonardo da Vinci wrote of pareidolia as a device for painters. He said, “if you look at any walls spotted with various stains or with a mixture of different kinds of stones, if you are about to invent some scene you will be able to see in it a resemblance to various different landscapes adorned with mountains, rivers, rocks, trees, plains, wide valleys, and various groups of hills. You will also be able to see divers combats and figures in quick movement, and strange expressions of faces, and outlandish costumes, and an infinite number of things which you can then reduce into separate and well conceived forms.”
Everything is open to perception and interpretation but, to me, these images offer visual prompts for stories, adventures, and other worlds, where events are playing out in some dimension or another. They are the beginnings of possibilities as transient as the moment.
See how the light gets into everything?
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